Zero Mostel z”l (1915-1977), in this brilliant segment from a 1977 episode of the Muppet Show, laughs at the Horror genre (or I would argue, getting spooked by crisis theory). What better example do we have of the laugh that laughs at the (satanic) laugh (or smile)?
This is, as my father’s friend David Kaplan z’l, used to say: “Top notch!”
Zero Mostel was one of the greatest stars in the history of Yiddish theater and performance! He moved hundreds of thousands of people to laughter and tears. Mostel was certainly a (perhaps ‘the’?) King of Comedy. He was a real schlemiel whose performances show us how impassioned physical comedy – though caught up in schlemiel dreams – can trump fantasies of terror and catastrophe. The fantasies he plays with are the fantasies of fear, terror, and transgression; the fantasies that Baudelaire and Poe found so titillating.
By performing 1,001 terrors, filtered through all his “wide eyed” gestures, Mostel caricatures horror, fear, and spirit possession in a matter of minutes.
Instead of tricking us into being horrified, as Baudelaire believed the “Absolute Comic” should, Mostel tricks horror into being ridiculous. And he does it in the best place one can to placate horror with comedy: The Muppet Show.
Horror is equivalent to formless Muppet dolls attacking Zero Mostel and driving him Mad.
Does Zero Mostel tear us from fear? Does he defeat it? Or do Edgar Allen Poe and Charles Baudelaire have the last word?