Is Seth Rogen giving the schlemiel a bad name or…another name? To be sure, I’ve written several blog-entries on Rogen-as-Schlemiel. Before I saw Rogen and Franco’s parody of Kanye West’s Latest video, I was already on Rogen’s trail. And, to my understanding, he, along with Judd Apatow and others, were looking to revise the schlemiel […]
Seth Rogen is often cast as a schlemiel in many Hollywood films. We can see this in films like Knocked Up (2007), Superbad (2007), and Pineapple Express (2008). But in films like Knocked Up we start seeing the transformation of Rogen’s character. In that film, Rogen goes from a pot-smoking “lord of dreams” to a […]
Don’t you love those moments when you can’t tell if something is serious or a joke? I had one of them yesterday and it created a delicious ambiguity around how the schlemiel may get lost in translation. While walking through Manhattan yesterday, I stumbled across a poster that caught my eye. On the front of […]
I’m happy to see that yesterday’s blog post on the Rogen/Franco Parody of Kanye West’s “Bound Two” video has prompted some response. What I’d like to do in this blog entry is address the questions and concerns of some readers regarding the post. First of all, in my blog entry I acknowledged that this video […]
For a long time, I’ve been thinking about how to read photographs of schlemiels like Woody Allen, Seth Rogen, Charlie Chaplin, etc. What function do they serve? How do we identify with them? How do they relate to the lives of Americans and Jewish Americans? What categories do we use to read them? But when […]
It was with great sadness that I learned this morning of the passing of Aharon Appelfeld. He is one of my favorite Israeli novelists and some of his novels have, literally, changed the way I think about the novel and its relationship to history. It also changed the way I looked at the schlemiel character. […]
The schlemiel character often stumbles over the smallest things. While most of us would never pay attention to or miss such little things, they are the cause of his or her bad luck. The response to these little things is what gives the schlemiel its childlike, small character. These little stammer-ings and stumbl-ings are what […]
After learning that Jim Nabors died yesterday, a flood of impressions I held within me – from many years watching re-runs of The Andy Griffith Show – washed over me. Like many Americans, I used to come home and watch reruns of shows that had comic figures – ranging from Leave it to Beaver, Little […]
The events of last week with Harvey Weinstein have prompted many powerful articles (good, in terms of prompting awareness of violent sexual actions that were an “open secret” in Hollywood, and really bad, in terms of prompting anti-Semitic remarks and insane conspiracy theories). After reading Mark Oppenheimer’s controversial Op-Ed piece for Tablet, entitled “The […]
Most films I have seen on Hasidim – save for the film Ushpizin (2004) – are utterly serious and often tragic. Think, for instance, of The Jazz Singer (1927, 1980), The Chosen (1981) or Amos Gitai’s Kadosh (1999). We rarely see comic films on or about Hasidim. (Woody Allen’s little quips in Bananas (1971) or […]
