The last two targeting theories I’d like to look at, before I address Emmauel Levinas, Philip Roth, and Andy Kaufman come from Charles Baudelaire and Paul deMan who, apparently, follows in Baudelaire’s comic footsteps. (I have written several blogs on Baudelaire and deMan’s reading of comedy. What I look to do here is to summarize […]
The reflection on and implementation of comic targeting has a long history which stretches back to the origins of Greek philosophy. The reflection on the target is of utmost importance for thinkers who wish to establish this or that kind of hierarchy or agonistics between appearance and reality, the mind and the body, being and […]
“Eternal nothingness is O.K. if you’re dressed for it.” (Woody Allen) Comedy is inseparable from targeting. Take a look at any joke and you will notice that it most likely has a target. And, sometimes, the comedian or author may make him or herself into a target. Whether one targets oneself or a target other […]
Echoing Jacques Derrida’s reading of Stephen Mallarme’s “Mimique,” Gasche writes that: If the mime of “Mimique” only imitates imitation, if he copies only copying, all he produces is a copy of a copy. In the same manner, the hymen that comes to illustrate the theatrical space reduplicates nothing but the miming of the mime. Miming […]
Comedians can be very aggressive and may sometimes exude rage. The comic rant, which we are all-to-familiar with, is an illustration of how comedy sometimes becomes indistinguishable from anger. One need only think of the Three Stooges, Larry David, Andy Kaufmann, Lenny Bruce, or even Louis CK to see how rage plays out through comedy. […]
What I love about a great novelist is his or her ability to surprise the reader. However, sometimes the surprise throws everything the reader thought about the writer into question. This is especially prescient when the main character of his or her novels is often someone we find charming, pitiable, and yet insightful. What […]
Unlike ever before, the possibility that we are living in a culture that never sleeps is becoming a reality. Whether it’s the constant need (or is it demand?) to check one’s email, post on Facebook, or go through Twitter feeds, none of us can escape being implicated in what the art historian and critical theorist […]
I never heard laughter as loud as I did (on the other side of intimacy) that Kol Nidrai on the bima in front of 1500 congregants, as when I launched into the final words of the infamous Buddy Hackett yarn about the retired rabbi caught at a Catskills Hotel by his congregants as his order […]
Andy Kaufman is a better candidate for a Levinasian inversion of the comic target, which I mentioned at the outset of this blog series. He is a “stand-up” (as opposed to Portnoy, Philip Roth’s “sit-down”) comedian. In a Levinasian sense, this means that he stands-up and faces us. And we see, in his response to […]
As can be seen from many of my previous posts, I have been addressing the work of Charles Baudelaire on laughter and the comic. The reason I have spent so much time on this is because I have been attempting to understand Walter Benjamin’s reading of (and identification with) the comic (in general) and the […]
Schlemiel Theory 