Saying too Much, Or Not Enough: The Schlemiel, Speech, and Bad Timing in Malamud’s “The Assistant”

More often than not, schlemiels miss opportunities. They are often too late or too early; they either speak too much or too little. Schlemiels do things that make them the odd one’s out. Andy Warhol, an unlikely candidate for the schlemiel, finds a good idiom to express this endless bungling when he points out how, […]

Who is Laughing? On “Laughtivism” and its Opponents

When Walter Benjamin wrote Gershom Scholem from Paris, on June 12, 1938 about Kafka, humor, and salvation, Adolf Hitler had already established his first work camp (1933), organized an anti-Jewish boycott (1933), burned “un-German” books (1933), passed the Nuremberg Race Laws (1935), sponsored an anti-Semitic art exhibition in Munich (1937), and annexed Austria (1938).   And […]

The Postmodern Chelm, or The Artistic Community in Sheila Heti’s “How Should a Person Be?” – Part I

I can remember the first time I ever heard a story about the Jewish fool otherwise known as a schlemiel.   What struck me about the story, when I first heard it (when I was six or seven years old), was that the schlemiel wasn’t an independent agent. He lived amidst other schlemiels – in a […]

The Death of a Schlemiel, the Eulogy, and The Conversion: Facing Failure Part VII

After the Holocaust, different scholars and journalists have debated over whether the schlemiel is dead or should live on.   Regardless of the debate, however, it is evident that the character has lived on whether in literature or film.   One need only go to the movie theater to see the film Neighbors to see this or […]

Facing Failure: A Levinasian Reading of Bernard Malamud’s Fiction – Part V

One of the greatest things Bernard Malamud provides the reader of The Assistant with is an acute sense of how complicated it is to become a good person.   The schlemiel in the novel, Morris Bober, is the model for goodness. His endurance of suffering, bad luck, and failure show the reader a character who, though […]

Facing Failure: A Levinasian Reading of Bernard Malamud’s Fiction – Part IV

One of the key features of the schlemiel, one we see brought out in I.B. Singer’s “Gimpel the Fool” is the fact that the schlemiel – regardless of the situation – doesn’t give up on trusting people. Even if there is reason to judge someone in a negative manner, they overlook or find an excuse […]

Facing Failure: A Levinasian Reading of Bernard Malamud’s Fiction – Part III

One of the most important things about Frank is his timing. To be sure, Frank comes out of nowhere. But he does so after Bober is held-up, beaten with a gun, and hospitalized. He comes, like a Saint, to assist him. However, as a reader, one cannot help but wonder if Frank, who is described […]

Facing Failure: A Levinasian Reading of Bernard Malamud’s Fiction – Part II

Writing on Bernard Malamud, Sanford Pinsker argues that with his work we have something fundamentally different from what we find in I.B. Singer. As Pinsker notes, I.B. Singer “had to face the agonizing problem of re-creating a ghetto experience that had been too short lived”(77, The Schlemiel as Metaphor: Studies in Yiddish and American Jewish […]

Facing Failure: A Levinasian Reading of Bernard Malamud’s Fiction – Part I

The schlemiel is often thought of as the Jewish fool who, in the traditional joke, is paired up with a nudnik and a schlimazel. The schlemiel, as the traditional joke goes, is asked to get a bowl of soup by the schlimazel. When the schlemiel gets right near the table, and it seems as if […]

Can the Wisdom of the Fool Do Humanity Any Good?

In my last blog-  https://schlemielintheory.wordpress.com/2013/03/01/messianic-schlemiels-and-messianic-activism-bound-to-failure/ – I argued that the “messianic activist,” as Scholem understood him, could be read as a “schlemiel activist.”  Both the traditional schlemiel (“the man of faith”) and the schlemiel activist are caught up in dreams.  But the difference is that the dreams of one do not affect reality while the dreams […]