On the Baal Teshuva Schlemiel in I.B. Singer’s “The Magician of Lublin” (Part II)
Under exile, Jews are constantly in flight. Hannah Arendt argues that Charlie Chaplin’s schlemiel exemplifies this flight. He is the innocent “suspect” who is always on the run. He marks a major change in the schlemiel character since Heinrich Heine’s “lord of dreams.” The impudence of Chaplin’s suspect is of the same kind […]