Religion, philosophy, literature, and the arts have, since time immemorial, been concerned with the meaning of death and suffering. All religions, books, or artworks do not, by any means, have the same approach to death and suffering. And the ability to know and tell the difference between one and another is, if anything, a formidable […]
On November 18, 1917 Franz Kafka wrote in one of his Octavio Notebooks the following meditation on good and evil: “Evil knows the Good, but Good does not know of Evil.” What Kafka was getting at is quite profound. If there is in fact something Good or someone Good, he,she, or it cannot know evil. […]
What happens when a schlemiel has been offended and made into a fool? When they are duped, I.B. Singer’s Gimpel doesn’t get heated up and neither does Aleichem’s Menachem Mendel or Motl. Mendel Mocher Sforim’s Benjamin the IIIrd and Senderl and I.L. Peretz’s Bontshe Shvayg opt out of action altogether and choose, in the face […]
Ruth Wisse calls the schlemiel a “modern hero.” But the term is ironic. The schlemiel cannot be a typical modern hero who, like many a western hero, does something courageous and saves the day. The schlemiel’s victories are ironic because they arise out of failure. Moreover, the schlemiel’s conduct is what Daniel Boyarin would call […]
What does a modern Jewish heart yearn for? And how is it torn? These are questions that were of great interest to Saul Bellow when he wrote his novel, Herzog. His main character’s last name, Herzog, means, in Yiddish, the Song of the Heart. And this song is not just Herzog’s; it is the song […]
The schlemiel is a moral figure. In Yiddish literature, there are many examples of the schlemiel’s generosity and kindness to others. However, even though the schlemiel is kind he or she is often laughed at. Think, for example, of the famous schlemiel joke about the schlemiel, the schlimazel, and the nudnik. The schlemiel is the […]
The tension between Eastern European and Western European Jews (before the Holocaust and not long after) can be understood in many different ways. One of the most interesting ways to approach this tension can be found in their approach to life itself. Growing up I bore constant witness to a good friend of my father […]
A book – or at least an essay or two – should be written on the treatment of Martin Buber in Jewish-American fiction. Perhaps I will write it (or them). His book I and Thou gained a lot of attention in America when it was first translated. And although it was praised by many in […]
Since he is in constant motion, Saul Bellow’s schlemiel, Moses Herzog can’t hold on to things. He moves from place to place, from memory to memory, and from slow motion to speed. His narrative can turn on a dime. Things move through him, too: With me, money is not a medium. It passes through me […]
There are many portrayals of the schlemiel in literature, film, TV, and theater. But what Saul Bellow did with his portrayal of Moses Herzog – in his book Herzog – was to give the schlemiel a unique American face and literary treatment. To understand the meaning of the novel, one must, to be sure, make […]
